In Which Our Evil Authors discuss their plans for July Camp, and have a Very Special Announcement.
Salutations, other octopi adventurers in the great writing wilderness!
July is nearly here, which means once again Camp NaNoWriMo is about to start… Are you feeling ready to tackle a new writing goal? Tell us about it in the comments!
Today’s post, naturally, will be about endever* and GeGi. As you might remember from last week, we’ve both been rather busy with Other Things lately. So we’ll be discussing why or why not we will each be participating (or not) in July Camp.
In Which endever* discusses ways and mindsets with which an Evil Author can write Social Justice.
Hello again! Last week I (endever*) wrote about the fine lines of being Evil – specifically, the importance of differentiating between being evil towards your characters versus having an evil impact on the real world. Today I’d like to work forward from that discussion of how oppressions can show up in our writing to the broader idea of making our writing a resistance practice/part of the revolution/a small way of changing the world.
In Which GeGi continues the metaphor of Writing As Gardening, this time in relation to the genesis of a new project.
Greetings, dear octopi!
In a continuation of last week’s metaphor, I, GeGi, will attempt to map out how you can guide the garden of your mind from bare earth to fruitful plant. In other words, how to go from vague idea to an actual project.
In Which endever* shares specific ideas about developing your world and characters.
GeGi wrote beautifully last week about the importance of developing a clear vision of the world you’re building in your fiction, even if all the details don’t directly end up in your finished piece. Today I’d like to share some of my techniques for worldbuilding as well as characterbuilding – that is, all the ways I novel when I’m not actually writing. The idea is to develop a clear vision of your characters, including their backstory, and of the universe they occupy and its history. The better you know your characters and the situation you’ve placed them in, the easier it’s going to be to let them make decisions that make sense (rather than jerking them around in service of your plot).
In Which GeGi Becomes Philosophical about being a Writer.
endever* and I (GeGi) have rather different approaches to writing (partly because we have very different backgrounds for how we became writers). It’s one of the contributing factors for the awesomeness of our writerly discussions. Things are generally much more interesting when different points of view can come together to tackle a problem, after all. Talking about your writing with someone who will ask questions you never thought of is extremely helpful. The reverse of that — being asked questions you hadn’t thought of about someone else’s writing — is incredibly useful for exploring knowledge you have but hadn’t bothered to put into words. Incidentally, it also happens to be a excellent example of the whole “teaching is the best way to learn” advice… But getting into the importance of writerly friends is a topic for a future post!
In Which endever* discusses the connections between unschooling and being a writer.
Hi there, endever* here! I’d like to talk a little today about writing as a form of self-directed learning.
Never heard of the concept? It’s most frequently discussed in reference to “school-age” youth, generally as a subtype of homeschooling or as a value held by an alternative school. In the context of young people’s lives I consider unschooling necessary to anti-ageist revolution, something dear to my heart. Extrapolated to usage across the lifespan, it has a lot to do with a deliberate, holistic commitment to lifelong learning.